Daily Archives: May 19, 2009

Technology vs. The Body

Wendell Berry seems to never quite get old. He’s right on the money with these observations from a few years back:

The danger most immediately to be feared in “technological progress” is the degradation and obsolescence of the body. Implicit in the technological revolution from the beginning has been a new version of an old dualism, one always destructive, and now more destructive than ever. For many centuries there have been people who looked upon the body, as upon the natural world, as an encumbrance of the soul, and so have hated the body, as they have hated the natural world, and longed to be free of it. They have seen the body as intolerably imperfect by spiritual standards. More recently, since the beginning of the technological revolution, more and more people have looked upon the body, along with the rest of the natural creation, as intolerably imperfect by mechanical standards. They see the body as an encumbrance of the mind—the mind, that is, as reduced to a set of mechanical ideas that can be implemented in machines—and so they hate it and long to be free of it. The body has limits that the machine does not have; therefore, remove the body from the machine so that the machine can continue as an unlimited idea.

It is odd that simply because of its “sexual freedom” our time should be considered extraordinarily physical. In fact, our “sexual revolution” is mostly an industrial phenomenon, in which the body is used as an idea of pleasure or a pleasure machine with the aim of “freeing” natural pleasure from natural consequence. Like any other industrial enterprise, industrial sexuality seeks to conquer nature by exploiting it and ignoring the consequences, by denying any connection between nature and spirit or body and soul, and by evading social responsibility. The spiritual, physical, and economic costs of this “freedom” are immense, and are characteristically belittled or ignored. The diseases of sexual irresponsibility are regarded as a technological problem and an affront to liberty. Industrial sex, characteristically, establishes its freeness and goodness by an industrial accounting, dutifully toting up numbers of “sexual partners,” orgasms, and so on, with the inevitable industrial implication that the body is somehow a limit on the idea of sex, which will be a great deal more abundant as soon as it can be done by robots.

This hatred of the body and of the body’s life in the natural world, always inherent in the technological revolution (and sometimes explicitly and vengefully so), is of concern to an artist because art, like sexual love, is of the body. Like sexual love, art is of the mind and spirit also, but it is made with the body and it appeals to the senses. To reduce or shortcut the intimacy of the body’s involvement in the making of a work of art (that is, of any artifice, anything made by art) inevitably risks reducing the work of art and the art itself. In addition to the reasons I gave previously, which I still believe are good reasons, I am not going to use a computer because I don’t want to diminish or distort my bodily involvement in my work. I don’t want to deny myself the pleasure of bodily involvement in my work, for that pleasure seems to me to be the sign of an indispensable integrity.

Fish on Religion and Science

Stanley Fish has a great new post following up on criticism of his review of Terry Eagleton’s new book:

Some readers find a point of vulnerability in what they take to be religion’s flaccid, Polyanna-like, happy-days optimism. Religious people, says Delphinias, live their lives “in a state of blissfully blind oblivion.” They rely on holy texts that they are “to believe in without question.” (C.C.) “No evidence, no problem — just take it on faith.” (Michael) They don’t allow themselves to be bothered by anything. Religion, says Charles, “cannot deal with doubt and dissent,” and he adds this challenge: “What say you about that, Professor?”

What I say, and I say it to all those quoted in the previous paragraph, is what religion are you talking about? The religions I know are about nothing but doubt and dissent, and the struggles of faith, the dark night of the soul, feelings of unworthiness, serial backsliding, the abyss of despair. Whether it is the book of Job, the Confessions of St. Augustine, Calvin’s Institutes, Bunyan’s “Grace Abounding to The Chief of Sinners,” Kierkegaard’s “Fear and Trembling” and a thousand other texts, the religious life is depicted as one of aspiration within the conviction of frailty. The heart of that life, as Eagleton reminds us, is not a set of propositions about the world (although there is some of that), but an orientation toward perfection by a being that is radically imperfect.

The key event in that life is not the fashioning of some proof of God’s existence but a conversion, like St. Paul’s on the road to Damascus, in which the scales fall from one’s eyes, everything visible becomes a sign of God’s love, and a new man (or woman), eager to tell and live out the good news, is born. “To experience personal transformation that in turn can truly move and shake this world, we must believe in something outside of ourselves” (Judith Quinton).”The kind of religion that moves me,” says Shannon . . . is the story of hope and love . . . not the idea that any particular story describes concrete historical ‘truth.’” “It isn’t about moral superiority,” says Richard. “It’s about humbly living an examined life held up to the mirror of a higher truth. It certainly does not seem to be about comfort.”

So to sum up, the epistemological critique of religion — it is an inferior way of knowing — is the flip side of a naïve and untenable positivism. And the critique of religion’s content — it’s cotton-candy fluff — is the product of incredible ignorance.

Dan Brown’s America

Lovely op-ed piece in the Times about Dan Brown and his multitude of anti-Catholic fiction pieces:

In the Brownian worldview, all religions — even Roman Catholicism — have the potential to be wonderful, so long as we can get over the idea that any one of them might be particularly true. It’s a message perfectly tailored for 21st-century America, where the most important religious trend is neither swelling unbelief nor rising fundamentalism, but the emergence of a generalized “religiousness” detached from the claims of any specific faith tradition.

The polls that show more Americans abandoning organized religion don’t suggest a dramatic uptick in atheism: They reveal the growth of do-it-yourself spirituality, with traditional religion’s dogmas and moral requirements shorn away. The same trend is at work within organized faiths as well, where both liberal and conservative believers often encounter a God who’s too busy validating their particular version of the American Dream to raise a peep about, say, how much money they’re making or how many times they’ve been married.

These are Dan Brown’s kind of readers. Piggybacking on the fascination with lost gospels and alternative Christianities, he serves up a Jesus who’s a thoroughly modern sort of messiah — sexy, worldly, and Goddess-worshiping, with a wife and kids, a house in the Galilean suburbs, and no delusions about his own divinity.

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